Last Dance in Berkeley
Dec. 6th, 2024 06:33 amBerkeley may be the Karen capital of the west coast. When we were at Millennium on Wednesday night, a group of four raucous middle-aged women came in and sat at the table next to us. I couldn't help but constantly hear them because they were LOUD, and that included one of the Karen's drink order. She said, "I'd like an Emperor Cocktail on the rocks." And then after a pause of maybe a second, she continued, "That means with ice cubes."
Yikes.
(It was hard not to ignore the racial undertones, since they all seemed white and the waiter was black. But maybe she's that rude and condescending to everyone.)
Thursday was our last day in Berkeley. Kimberly and I had a leisurely morning at our Air B&B, then we headed into The City together, her going to the Asian Art Musuem to meet Katherine, me going to The Contemporary Jewish Museum (CJM) to meet no one.
CJM was on my maybe-see list last year. It moved up on my list this year because I'd read that the museum was closing down for at least a year. (Apparently the foot traffic in downtown SF has crashed since COVID, and CJM's attendance and also revenues is down 50% in that time. I have to imagine that the anti-semitism that's risen since October 7th last year has also contributed.) However, I was still uncertain about what I was going to do with my day in SF, because I was craving a visit to Golden Gate Park, but after Tuesday's hike I decided I'd had enough of the cold and honestly my legs were _still_ tired too. (They seem to have finally recovered this morning.)
CJM is a museum with no permanent collection, so everything at the museum is individual exhibitions. There were five of them at the museum for its last weeks.
A celebration of the building itself was perhaps unsurprisingly my favorite, because it was about history. The building was originally a power substation, one that survived the 1906 earthquake (though it had to be partially rebuilt with bricks from nearby, fallen buildings). But it had fallen into disuse in the modern day. The architect for CJM renovated and expanded it, in part by expanding the traditional silhouette of the building to suggest two Hebrew letters: chet (ח) and yud (י), which together spell chai (חי), or "life", as in L'Chaim. There was also a lot of other cool symbolism in the building, such as the 18 steps up the main staircase and the 36 windows in the Yud gallery, one of the huge rooms formed by one of those letter additions. (Chet and Yud together sum 18, and so multiples of 18 are considered lucky.)
The Yud gallery housed one of the other cool exhibitions, Leah Rosenberg's When One Sees a Rainbow. It covered the (36) diamond-shaped windows in the gallery with colored films and then matched that with colored chairs. Very modern art, but gorgeous.
Another exhibit called Looted was based on Polish artwork that had been stolen by Nazis in WW2. It was a film (and on a different screen a collage of films) that showed the stolen artwork being recreated by modern artists, then erased. It was moving.
Finally, the biggest exhibition in the museum was the California Jewish Open, which had been an open call to Jewish-identifying artists. They were organized into "connections", one room for the earth, one for other people, one for the divine, and one that I seem to have forgotten. I think the most beautiful thing I saw there was a set of "light sculptures", which were basically colored cellophane arranged in front of lights which doesn't sound like a lot, but it was stunning. I was also struck my a few different artists who had discovered they had Jewish ancestry through genetic tests and were now exploring that. Finally, there were seven missing pieces: they'd apparently been pro-Palestine/pro-Gaza but they'd required the museum meet a set of demands to be displayed, and the museum was unable to. (I don't know the exact circumstances, but this felt to me like more progressive purism in the Bay Area. These artists had an opportunity to contribute to the dialogue, and thus make a difference, but were unable to without this additional requirement.) The museum noted the issue and left a blank wall where the pieces might have been, to acknowledge the loss of that point of view.
Overall, I was quite happy to visit CJM while it was there. I hope they're able to recover and now that I've seen is history, I hope they don't have to sell the building, which is apparently on the table.
After CJM, I walked down to the water and looked over the Bay at the Bay Bridge and Yerba Buena Island.
Then I went back to Berkeley, hung out in the library (again! It had become a regular stop for us in downtown) and finally went over to MB's house for gaming. The whole old Thursday group got back together and we played _Havoc_ (a brilliant Poker-like game that is sadly out of print due to conflicts between the designers) and _Rise of Augustus_ (again, but EL loves being able to draw the tokens from the bag, and I enjoy it though I usually can't seem to win, so I wasn't going to complain). I think I came in second at both games, with MA winning _Havoc_ and CA winning _Rise of Augustus_, though the _Havoc_ loss was by a hair!
When I got home, we got things packed up, then early this morning it was off to the airport. We're boarding in about half an hour, and will be home by this afternoon.
Yikes.
(It was hard not to ignore the racial undertones, since they all seemed white and the waiter was black. But maybe she's that rude and condescending to everyone.)
Thursday was our last day in Berkeley. Kimberly and I had a leisurely morning at our Air B&B, then we headed into The City together, her going to the Asian Art Musuem to meet Katherine, me going to The Contemporary Jewish Museum (CJM) to meet no one.
CJM was on my maybe-see list last year. It moved up on my list this year because I'd read that the museum was closing down for at least a year. (Apparently the foot traffic in downtown SF has crashed since COVID, and CJM's attendance and also revenues is down 50% in that time. I have to imagine that the anti-semitism that's risen since October 7th last year has also contributed.) However, I was still uncertain about what I was going to do with my day in SF, because I was craving a visit to Golden Gate Park, but after Tuesday's hike I decided I'd had enough of the cold and honestly my legs were _still_ tired too. (They seem to have finally recovered this morning.)
CJM is a museum with no permanent collection, so everything at the museum is individual exhibitions. There were five of them at the museum for its last weeks.
A celebration of the building itself was perhaps unsurprisingly my favorite, because it was about history. The building was originally a power substation, one that survived the 1906 earthquake (though it had to be partially rebuilt with bricks from nearby, fallen buildings). But it had fallen into disuse in the modern day. The architect for CJM renovated and expanded it, in part by expanding the traditional silhouette of the building to suggest two Hebrew letters: chet (ח) and yud (י), which together spell chai (חי), or "life", as in L'Chaim. There was also a lot of other cool symbolism in the building, such as the 18 steps up the main staircase and the 36 windows in the Yud gallery, one of the huge rooms formed by one of those letter additions. (Chet and Yud together sum 18, and so multiples of 18 are considered lucky.)
The Yud gallery housed one of the other cool exhibitions, Leah Rosenberg's When One Sees a Rainbow. It covered the (36) diamond-shaped windows in the gallery with colored films and then matched that with colored chairs. Very modern art, but gorgeous.
Another exhibit called Looted was based on Polish artwork that had been stolen by Nazis in WW2. It was a film (and on a different screen a collage of films) that showed the stolen artwork being recreated by modern artists, then erased. It was moving.
Finally, the biggest exhibition in the museum was the California Jewish Open, which had been an open call to Jewish-identifying artists. They were organized into "connections", one room for the earth, one for other people, one for the divine, and one that I seem to have forgotten. I think the most beautiful thing I saw there was a set of "light sculptures", which were basically colored cellophane arranged in front of lights which doesn't sound like a lot, but it was stunning. I was also struck my a few different artists who had discovered they had Jewish ancestry through genetic tests and were now exploring that. Finally, there were seven missing pieces: they'd apparently been pro-Palestine/pro-Gaza but they'd required the museum meet a set of demands to be displayed, and the museum was unable to. (I don't know the exact circumstances, but this felt to me like more progressive purism in the Bay Area. These artists had an opportunity to contribute to the dialogue, and thus make a difference, but were unable to without this additional requirement.) The museum noted the issue and left a blank wall where the pieces might have been, to acknowledge the loss of that point of view.
Overall, I was quite happy to visit CJM while it was there. I hope they're able to recover and now that I've seen is history, I hope they don't have to sell the building, which is apparently on the table.
After CJM, I walked down to the water and looked over the Bay at the Bay Bridge and Yerba Buena Island.
Then I went back to Berkeley, hung out in the library (again! It had become a regular stop for us in downtown) and finally went over to MB's house for gaming. The whole old Thursday group got back together and we played _Havoc_ (a brilliant Poker-like game that is sadly out of print due to conflicts between the designers) and _Rise of Augustus_ (again, but EL loves being able to draw the tokens from the bag, and I enjoy it though I usually can't seem to win, so I wasn't going to complain). I think I came in second at both games, with MA winning _Havoc_ and CA winning _Rise of Augustus_, though the _Havoc_ loss was by a hair!
When I got home, we got things packed up, then early this morning it was off to the airport. We're boarding in about half an hour, and will be home by this afternoon.